This article examines Drake’s defamation lawsuit against UMG over Kendrick Lamar’s diss track Not Like Us, exploring why he targeted UMG instead of Kendrick. It delves into public backlash, including Drake’s alienation of core fans like Black women, accusations of “cosplaying Blackness,” and his shift toward red-pill manosphere themes. It also highlights his withdrawn petition accusing UMG of stream manipulation, which hurt his credibility. The piece concludes by suggesting a Hollywood reboot with 50 Cent to redefine Drake’s legacy and spark a new era of stardom.