The skills to thrive in digital are changing, what sort of people do we need to thrive?

"If you're interested in understanding the Trump-Russia findings, ignore what Barr wrote," says Virginia Heffernan. Instead, she says, watch the speech Rep. Adam Schiff delivered before the House Intelligence Committee on Thursday. "There was none of Barr's fuzziness or torque in what Schiff said. He didn't hypothesize," she writes. "He didn't speculate. He just laid it all out."

Seth Hettena of the Los Angeles Times reminds Americans that they need no report to be aware that the all-too public words, actions and behaviors of the 45th U.S. president have been suspicious, damaging and, in many cases, "a national security nightmare."

November may be nearly over, but there is still time for you to see some great films that released this month. All these films will surely be in contention for multiple Academy Awards. America’s dad—Tom Hanks—is looking to bolster his already exception resume. Scorsese once again establishes himself as the best director around, crafting another mob masterpiece. Christian Bale and Matt Damon prove to be one of the best duos of the year. Finally, A24 produces another work of art with an endlessly talented cast, proving why they are a force to be reckoned with. Here are four November releases that you must see.

There are only two and half months left in 2019, but still a lot of movies to see. Many Oscar contenders have yet to release, but there has been a lot of buzz around films coming out of the Toronto, New York, and Cannes Film Festivals. To no surprise, industry heavyweights like Tom Hanks, Meryl Streep, and Willem Dafoe have films releasing this year. For this list, I have chosen to include October releases that you must see. I will be making separate lists for November and December. Only time will tell which films rise to the top, but here are some can’t miss movies for the month of October.

The reason I love movies, is that for two hours I can enter another world. All my worries and doubts take a back seat, and I become a part of a new reality. This is especially the case in Robert Egger’s "The Lighthouse," starring Willem Dafoe and Robert Pattinson.

There is a degree of maturity and patience in “The Irishman” that is unlike anything I have seen. This could only be accomplished by a director like Martin Scorsese. He somehow makes the most mundane and unassuming scenes so damn entertaining. With a three-and-a-half-hour runtime, one would expect frequent bombastic scenes to keep the audience engaged. However, Scorsese seldom implements violence, and when he does, it’s thoroughly gripping. Most of the time, Scorsese elongates scenes by holding the camera on a face longer than expected. Instead of looking away, you look closer and consider what thoughts are racing through the character’s head.

Feelings can hurt alot or be something special.......

I am a firm believer that the trailer is one of the most important pieces of a movie. It is incredibly difficult to strike the perfect balance between showing the audience enough to pique their interest, but not so much that you spoil the movie. Another difficulty is accurately conveying the movie’s tone. Most of the time, trailers mislead the audience and give away too much. As is the case with the “Ford v Ferrari” trailers. From the trailers, it would be fair to assume that the movie’s central focus is around the 1966 Le Mans race, and the production of Ford’s GT40 race car leading up to it.