That's it! Time's up for Danny. He's stuck inside the PAC during his first full lunar phase since being infected. This could be a disaster, unless he's able to remain in control of himself. Is he going to hurt someone? Who will it be and how many?

Hello dear viewer! Do you like dark bullshit? What about cannibalistic axe-murderers? If not that, then what about disgusting shit that would make any DeviantArt user lose gallons? Well (un)fortunately for you, this story has all of that! The story revolves around our protagonist: Gale, a strange, demented woman who has strange idol issues. The problem is her idol is her sister: Vesper, an obese opera singer who is too sweet to say no to her(obviously) deranged sister. Random bullshit commences when Vesper's fame leads to many wealthy men wanting her hand, which makes Gale jealous to no end. Surely she will make perfectly reasonable choices and not go off the deep end... Right?

In 'Cycling up', the tension builds and so does the energy. Danny knows what's coming; the boar told him so. He's afraid of what he might do to the people who deserve it but even more afraid for the people who don't.

Stuck inside the PAC, Danny's making more enemies than friends. Not that you'd necessarily want a friend from this group of misfits and deviants. The weather changes with his mood and a hail storm rolls in. With all that thunder and lightning quick tempers, you'd better believe it's going to shake some people up...

Francine crawled her legs out of a cave behind a steep cascade, a web was weaved across the Georgia landscapes.

Most fans of the horror genre have seen American Psycho. For me, when it was released for home viewing I raced to Blockbuster with a note from my parents conceding to let me rent the VHS. I brought it home and probably watched it ten times over the weekend before I needed to return it. I got to school Monday morning with the skinny for everyone else on a movie that nobody else's parents would let them see. For once, I was the cool kid.

Streams of conscious. Writing from the perspective of the uninterested. No grand ideas or worlds. Plain view.

In this speculative exercise, we'll imagine a near-future America fractured by deepening divisions—economic inequality, cultural clashes, and eroded trust in institutions. Drawing from the historical precedents of the Iranian Revolution (1979) and the French Revolution (1789), where initial promises of justice and reform devolved into cycles of purges, executions, and authoritarian control, we'll explore hypothetical scenarios of a radical takeover.

The titanic conspiracy theory is to dive deeper into the titanic sinking and so that way we can tell if the theory is true

Danny gets arrested for beating up Jean Duhamel, an old man and assaulting a police officer. Both the police and his parents determine that maybe Danny could use some psychiatric help. Rather than sending him to juvenile detention, he is committed to an inpatient facility for treatment.

Second Chance Under Streetlights is a moving story about rekindled love, family, and resilience. After a chance reunion during a citywide blackout, Lena and Marcus confront the misunderstanding that once separated them and decide to give their relationship another chance. As they build a life together and raise three children, their love is tested when their youngest son is born with serious physical disabilities. Through hospital stays, sacrifices, and the challenges of balancing family and marriage, they learn that true love grows stronger through hardship. In time, their perseverance leads to an unexpected miracle that brings renewed hope and joy to their family.

Second Chance Under Streetlights is a moving story about rekindled love, family, and resilience. After a chance reunion during a citywide blackout, Lena and Marcus confront the misunderstanding that once separated them and decide to give their relationship another chance. As they build a life together and raise three children, their love is tested when their youngest son is born with serious physical disabilities. Through hospital stays, sacrifices, and the challenges of balancing family and marriage, they learn that true love grows stronger through hardship. In time, their perseverance leads to an unexpected miracle that brings renewed hope and joy to their family.

Danny has made it to Duhamel's property. He's here for one reason: to find the item Old and Ugly is so hell-bent on hiding. He's got a pretty good idea what it is, but still wants to see it to be sure. Horrified, he finds what he's looking for, then everything goes south in a hurry and keeps getting worse...

In chapter 5, we enjoy fresh conversations with Mike in his new image. Danny tries to act natural and as all teens do, he sneaks out of the house at night. He plans to leave the village of Glen George and go all the way back the railroad tracks to the property of Jean Duhamel. Somethin's up. Danny knows this. Tonight he's going to find out.

In chapter 4 we learn more about the mysterious man, Jean Duhamel. The one Danny calls 'Old and Ugly'. We find out where he hails from and his sinister past. Danny gets very ill, blood poisoning, by a cut on his thumb from Mike's dirty knife. He has a feverish dream about Duhamel and seems to get a message from Mike...

In this chapter of a Lunatic Moon, a fellow student from Danny's high school is murdered while arriving home from her late-night shift at the donut shop. The story is now in the paper and it's all everyone is talking about. Danny is shocked there's been another death so close to Mike's. He was already suspicious and now he goes to investigate the place where events seem to have come together. An epiphany? an omen? Who is that old guy down the tracks there? Not to mention, what the heck is happening to him? Let's see...

To turn ideas into impact is to design a pathway between vision and results. It’s the bridge between dreaming and doing and it’s a learnable skill.

We keep returning to the stories that break us. We seek them, cherish them, and carry their fragments with us. We allow them to crack open our hearts and, in that opening, to teach us what it means to feel, to endure, and to remember.

You’ll stumble. You’ll grow. You’ll overuse commas and underuse rest days. But in between all that chaos, you’ll make something real.

As writers, it’s not our job to escape nostalgia. It’s our job to have a conversation with it. To ask: what does this story mean now?