In this World War I epic, Dean-Charles Chapman plays Lance Corporal Blake, who is motivated to reach his brother, a member of the second battalion that Blake must warn of an ambush. Chapman is a young actor, most recognizable from his role as Tommen Baratheon in “Game of Thrones.” Alongside Blake is his comrade Lance Corporal Schofield played by George MacKay, who gained fame from his role as Bo in “Captain Fantastic.”
The 2020 Oscar nominations were announced yesterday. All in all, I do not have too many qualms with the academy’s choices. My issue comes more so with the fact that the Oscars were moved up nearly a month, and the lack of consideration for movies to release before the Fall. Of the nine films nominated for best picture, only Quentin Tarantino’s “Once Upon a Time in Hollywood” opened before September.
The new year started with the exciting news that actor-phenom Timothée Chalamet will play folk icon Bob Dylan in a biopic directed by James Mangold. The film supposedly will focus on Dylan’s transition from folk to rock music.
This past year was one of the best years of film that I can remember, and I don’t say that every year like Apple does upon the newest, best iPhone whatever number to release. It truly was a fantastic year for movies, due in large part to unique stories, greenlighted by independent studios such as A24. Some honorable mentions are “The King,” “Joker,” “Uncut Gems,” and “Marriage Story.” Moreover, here are five of my favorite films of the year:
Not since the Safdie Brothers 2017 film “Good Time” have I seen such an anxiety inducing film as “Uncut Gems.” The film follows Howard Ratner, an unfaithful, degenerate gambling addict in New York City.
A bill introduced in late November by freshman Sen. Rachel May, D-Syracuse, would compel the state Commissioner of Education to make recommendations to the Board of Regents regarding the implementation of a climate change curriculum in state senior high schools.
November may be nearly over, but there is still time for you to see some great films that released this month. All these films will surely be in contention for multiple Academy Awards. America’s dad—Tom Hanks—is looking to bolster his already exception resume. Scorsese once again establishes himself as the best director around, crafting another mob masterpiece. Christian Bale and Matt Damon prove to be one of the best duos of the year. Finally, A24 produces another work of art with an endlessly talented cast, proving why they are a force to be reckoned with. Here are four November releases that you must see.
There is a degree of maturity and patience in “The Irishman” that is unlike anything I have seen. This could only be accomplished by a director like Martin Scorsese. He somehow makes the most mundane and unassuming scenes so damn entertaining. With a three-and-a-half-hour runtime, one would expect frequent bombastic scenes to keep the audience engaged. However, Scorsese seldom implements violence, and when he does, it’s thoroughly gripping. Most of the time, Scorsese elongates scenes by holding the camera on a face longer than expected. Instead of looking away, you look closer and consider what thoughts are racing through the character’s head.
I am a firm believer that the trailer is one of the most important pieces of a movie. It is incredibly difficult to strike the perfect balance between showing the audience enough to pique their interest, but not so much that you spoil the movie. Another difficulty is accurately conveying the movie’s tone. Most of the time, trailers mislead the audience and give away too much. As is the case with the “Ford v Ferrari” trailers. From the trailers, it would be fair to assume that the movie’s central focus is around the 1966 Le Mans race, and the production of Ford’s GT40 race car leading up to it.